Jason Ryberg
Phone Numbers, Addresses, Poems
Just
how
many
phone numbers,
addresses, poems
have I lost to washing machines
over the years? Best not to invest too much bandwidth and
time into such pursuits, lest one risk playing
a hybrid game of musical chairs
and Russian roulette with one’s own sanity,
while the DJ / arms dealer
in his dark corner,
cynically
grins a
gold
tooth.
Unseen
Aint
nothing good
can come from
followin’ another
man back to his
storage space
after midnight
and a night of
drinking no matter
what the reason,
any more than
there is to go peakin’
in another man’s
bedroom window;
for there are webs
in the dark recesses
of this world that
to merely be made
aware of them is
to become forever
changed, enmeshed
and incriminated:
things once seen that
can never become
unseen.
A Hungry Man
You’d
think
by now
that it would
be pretty crystal
freakin’ clear to just about damn
near everyone with half a freakin’ brain that them what
got the goods (the wealth and power, privilege and
protection, the insider info and
all that other good stuff (which is why they call it
the goods, baby)) are mostly concerned with maintaining
the hold they have on it as well as
accruing and concentrating more and more of it into
the hands and wallets and off-shore bank accounts of them
and their families and friends and circle-jerking cronies
and other interest-vested and like-minded law
maker and big financier types via all the
various channels (be they economic and/or
legislative), that they all have
at their command and disposal, yet, still somehow
remain unaware that them who are
increasingly without even the most basic means
of just barely getting by and
surviving on a
day-to-day /
one pay
check
from
the
street /
hand-to
mouth-level
of existence are
still increasing in number… and
they say a hungry man is an angry man, and an
angry man is a desperate man with less
and less to lose and fewer fucks to give.
Son of It
Sometimes It comes to us
early in the morning,
just before the Boss Man turns on the big light,
or in the middle of the saddest,
most haunted part of night:
some kind of slavering,
black behemoth, from what little we can see:
all teeth, tusks and talons,
snuffle and snarl
and primal, predatory aura.
A lonesome and sorrowful thing,
that looks to be part wombat,
swamp gator and slithering bottom-dweller,
mandrill, bloodhound, wild boar
and raging woolly mammoth,
as well as something distinctly ...
other.
Sometimes It batters at the gates
of my brain with its great paws
and its battering ram of a skull
like the giant fist of an angry
underworld god, shaking the walls
of this remote, little city-state of mind.
Sometimes It just rubs its back up against
the great tree trunk of my spine,
thrumming and thrumming
with what surely must be the funky frequency
of warm fuzzy love,
or, at the very least, the manic need
to satisfy some maddening metaphysical itch
(his or mine, I’m never sure).
And, sometimes
It’s content to merely loiter
and look on, inquisitively,
studying our most insignificant routines
from just inside the tree line,
just beyond the reach
of our guard lights,
nothing but your classic dark silhouette
and glowing set of eyes ...
But, of course, it could never really
charge out of that dark forest
of the wild night world of the soul,
and, by some freak cosmic occurrence
of a just and loving god blinking
or even looking the other way,
make its way into our safe, little,
climate-controlled environment.
Could it?
Old Man Winter
Well, the stars are all
singing and the crickets are
dreaming and Endtimes
are still at least a
week away, and the coyotes
are calling and the
leaves are done falling
and the wind’s gonna carry
us away, and the
moon is rising and
the crows are all in hiding
and they say Old Man
Winter got nothin’
but icy water in them
rusty old veins, any-
way, hey-dee-hey, dee-
hey, hey-dee-hey… hey-dee-hey,
dee-hey, hey-dee-hey…
Jason Ryberg is the author of nineteen books of poetry, six screenplays, a few short stories, a box full of folders, notebooks and scraps of paper that could one day be (loosely) construed as a novel, and countless love letters (never sent). He is currently an artist-in-residence at both The Prospero Institute of Disquieted P/o/e/t/i/c/s and the Osage Arts Community, and is an editor and designer at Spartan Books. His latest collection of poems is “Bullet Holes in the Mailbox (Cigarette Burns in the Sheets) (Back of the Class Press, 2024).” He lives part-time in Kansas City, MO with a rooster named Little Red and a Billy-goat named Giuseppe, and part-time somewhere in the Ozarks, near the Gasconade River, where there are also many strange
and wonderful woodland critters.